VELAZQUEZ' 'LAS MENINAS' WORLD'S BEST PAINTING

It’s extraordinary how the ancient Mayans were able to know very different kinds of time, not just linear time that we are familiar with that flies like an arrow. They knew circular time, cycles of time that go back to 16.4 billion years ago. We would like to invite you to join two Golden Ages -- the Renaissance period of the 16th century in Europe and the birth of the Golden Age of Aquarius where we are now in embodiment that leads us to the end date of the Mayan Calendar and to the birthing pangs of the new beginning of another Mayan Calendar which is a resetting of time itself. We are coming into a period that all the prophecies of the Americas have described as a time of great upheaval, tremendous upheaval, and of the need for agents of change, for agents of transformation, for men and women who are willing to step up and make a difference. Some agents of change will come from the artistic circles – the painters.

We are all being initiated today into our Beingness, as we approach the culminating point of the Mayan Calendar 2012. There is a part of all of us that is going through death, of how we view the world, of how we view relationships, of how we view our children according to our lights. In this painting by Diego Velazquez of Spain the light is focused on the little princess – a lovely child who gets all that caring attention from her maids- in–waiting including a dwarf and a dog. Behind her is a picture of the king and queen, her parents, but here, the light is dimmed. Observe how the cosmic tandem of darkness and light is played out in this painting by Velasquez, symbolic of his Aquarian mind advanced for his age, outpicturing the astounding spirit of the Renaissance of the 16th century -- a mind that breaks free of centuries of false doctrines, destructive indoctrinations, absurd ideas, and finding comfort in a child's innocence and clarity of vision in their stories about God.

Whenever a Golden Age comes as it did in the medieval period and now in the dawning Age of Aquarius, it’s about waking up from the age of lies and the land of lies that we have been living in. The lies we convinced ourselves of and believed in, and to waking up to the clarity of vision to enable us to see truth in the midst of today’s chaos and confusion. Not only to see truth but to become truth to practice truth so that everything we speak is truthful, everything we are is truth, and that’s coming into Beingness which is an internal fusion of humanity and divinity. A good example of doing that is when you discover Diego Velasquez monumental painting “Las Meninas” (“Ladies in Waiting”) considered not only the best painting in the Western world but also the most puzzling.

My purpose here however, is not to speak of his work in to to but of the technical bravura as the prominent art critic Michael Atlee calls it, of the puzzling “Las Meninas” and its thematic relationship to many of his other paintings. It has a uniqueness as it is the only known painting in the Western world in which an artist has achieved with aesthetic mastery, the fusion of form and content. Its message propounds in subtle hues authentic democratic principles, making it a very modern work – way ahead of its time, politically and philosophically. It has caused most art historians scratching their heads as Michael Atlee points out.

The discovery of this puzzle is like the experience of emerging in glory from the 16th century golden age of the Renaissance (Rebirth of Learning). You have broken out of the hall of mirrors, out of the great illusion.

Diego Velazquez of Spain who was born in 1599, spent his formative years in a world awash in the full tide of Renaissance thinking, a time when Shakespeare of England and Cervantes of Spain were writing their great humanist works. If you do only a superficial search into the history of art, you will find “Las Meninas” on almost all the “best” lists. The reasons given are mostly of a technical order, extolling Velasquez’ discreetly intellectual art which as historian Enriqueta Harris states, is expressed in “superb color values and draftsmanship, showing unique skill in merging color, light, space, rhythm and mass in such a way that all have equal values.” All perspectives in “Las Meninas” have equal values. Manet regarded him as the greatest painter of all time, the painter's painter, even "the painter of truth." He had a greater influence on European art than any other artist, especially the Impressionists -- my favorite period of art. Notables unabashed in their admiration include Corot, Courbet, Goya, Sargent, Millet, Degas, Renoir, Francis Bacon and even Picasso who painted, according to art historians, over forty studies of "Las Meninas."

“Las Meninas” is a great painting because it is making a statement that all men are created equal in the eyes of the Creator. A declaration that is a truth as expounded by the Age of Aquarius where we have our embodiment now, the age of universal peace, harmony as a result of attaining Oneness of all men with the Source and All that is. The age of the perfected human who has attained beingness or still working to attain it after completing a great cycle of 26,000 years divided in two segments with 11,500years each between Leo and Aquarius, through the precession of the Equinoxes, along with the solstices, lunar cycles bringing the changes of the seasons.

People are already beginning to look for their God within, at this time, and not in the sky, for answers they seek, instead of towards only money, possessions and other people. The corrupt foundations of a false society are starting to crumble. The time of crises is not the signal of the end despite the shattering of existing structures of the way we govern ourselves, but the beginning of a new cycle awakening to a bright new day, a luminous new way.

It is to my dear friend Maria Victoria (Mav) Rufino, a truly remarkable painter herself, I give credit for my recent discovery of the uniquely Aquarian 16th century painting of Diego Velasquez “Las Meninas“ that has long puzzled the art historians of the world. A group of Filipino- Spanish artists have invited her to work in tandem with them to make a uniquely Aquarian art show at the Ayala Museum on April 15, 2010, integrating the glory of the past Renaissance with the new Renaissance movement that is emerging now on many levels, including medical science and alternative natural healing.

As an Aquarian artist, Mav Rufino learns to plumb the depths of her psyche, as she releases unsuspected creative forces in her paintings of cosmic forces such as the sun, moon, scintillating nebulae and spinning galaxies. These images and concepts may be taking so powerful a grip upon her mind and psyche that she begins to feel more like their instrument than their originator. She has become a co-creator with the Creator. She has made significant Uranian breakthroughs in her Saturnian drive at consistently with great discipline and emotional serenity painting the skies, the clouds baring mountains, the rainbow, all aspects of the cosmos. I have often been awed by her galactic flair for revealing this miracle on Earth, a new golden octave, and yet in a puzzling way she would ask me like the fans of Velazquez, "What's going on here?"

In Aquarius, sign of group activity, she's the first Filipino painter I know who has gone into integrative art work with an international group of artists coming from the Prado Museum of Madrid. I see her work of subtly superimposing her luminous sun reigning above Velazquez’ little princess in this combined art work of Rufino and Velazquez, signifying the Oneness of all times and space. Why did they assign the great painting of "Las Meninas" to her? Or she chose it herself? Why a child?

For me it's about the New Myth, that's what struck me when Mav showed me her integrative painting newly framed just delivered into the lovely sala of her condo that Friday, March 26, 2010, being readied for the coming international art exhibit. She says: you are the first one to see it. By fortuitious accident I was there. So I feel inspired to write about it here, and I now address the Velazquez child Infanta standing without her "meninas" appearing almost floating in a vast space of shimmering golden sunlight, painted by Mav Rufino:

Child of the Sun, as the Mayan oracle calls you, you are being called to wakefulness, to your place in the new myth. A great miracle is coming to earth, and the time is now. A new consciousness will be created by the children of the Sun as they ascend with the Earth to a new place among the stars. A new harmonic of light and sound, a golden octave, is being sounded on Earth...From hereon, your direction comes straight from the universe, as this is the path of innocence, the path of trust. Know that, like the pull of the heavenly bodies (see the integrative painting of Velazquez-Rufino on April 15 at the Ayala Museum ),love is neither taken nor given but discovered and allowed. No one is without love, for love is the force that holds the universes together. Surrender to love and awaken the child in you,

Child of the Sun, and this is You! The ladies-in-waiting, the meninas are no longer here, the little princess is left standing alone with her ever-faithful dog beside her, symbolic of trust in God’s unconditional love, as uncondtionally as the way the Sun shines on both sinner and saint. A shift of realm is taking place. At this nexus of time and space, powerful galactic energies are meeting your expanding perception of what is possible. Anything you have defined in a limited way is being transformed. Perhaps you have seen this expanded version of reality in moments of extreme crises, catastrophies, tremors, tsunamis, drug experiences, deep meditations, severe depression, severe illness, or a near-death experience. After such moments, all things look different, the golden sun continues to shine upon you, and the potential of all possibilities emerges. A complex reordering of your world awaits you!

Back to Diego Velazquez of 16th century Seville, Spain: under the tutelage of artist Franscisco Pacheco in Seville where he enjoyed fame as an excellent painter, and amidst a heady humanist ferment, the young Diego Velazquez grew prodigiously to produce paintings like the astounding “Water Seller of Seville,” which are infused with the light of his ardent humanism. Very early on, Velasquez became a resolute democratic humanist, so narrates our art historian Atlee, a resolution strengthened when he entered the service of a profligate, dissolute King Felipe 1V where he lived, worked and painted for the rest of his life. There as Atlee has recorded and commented, he observed first hand the decadent lives of the supposed superior “noble” classes which he could not help but compare and contrast with the great suffering of the Spanish people he saw everywhere.

Spanish society was similar to pre-French Revolution society in France. It was structured in theory fused with Plato’s The Republic idea which formed the dynamics of Western kingdoms during the Medieval Period. In Plutonian scale, all animals were ranked according to the degree of perfection. By the criterion of rank, in this natural scale, he sometimes took the high degree of development reached by the offspring at birth. This resulted, he proposed, in eleven general grades with man at the apex and the zoophytes (animals) at the bottom, the zoophytes being invertebrate animals resembling plants. Spanish society came to be conceived of in terms of the religious theory of emanation, power emanated from the one at the top, a great staircase if you will, leading up to the heavens and thence to God. I heard it too that the ordinary Spaniard had an eye to a window in heaven where he imagines every living creature had a place, distanced from God according to his lights, i.e., his perfections or his lack, thereof. This lofty contiguity, according to our art historian Michael Atlee, naturally gave the philosopher king his “divine right.” Members of nobility came in descending order. The hierarchies went on down to the level where the least perfect were assigned like the deformed, the lame, the mentally deficient, the dwarfs, the slaves – were ranked directly above the animals.

Painters were mere artisans in Spanish social hierarchy which was structured in the form of a pyramid. With our modern-day democratic “the level playing field” it is difficult to imagine the rigid social hierarchical system under which everyone lived at the time. It is the manipulation of this perspectivism in “Las Meninas” that beguiles the viewer, Atlee goes further, provoking the question: “What’s going on here?”

More coming from art critic Atlee: Velasquez gave his viewers the first unmistakable indication that he had abandoned the medieval vertical for the modern horizontal symbolizing equality of men regardless of rank and social stature in two large paintings he made to adorn the royal hunting lodge, causing the consternation of art historians. At that time the king Felipe IV must have been so absorbed with winning wars like colonizing the Philippines (check this out native historians) or defending his fortifications like Intramuros (fact is he did it through his minions in Mexico but not directly) that he didn’t notice what Velasquez was doing. Or he was too busy with more dissolute, worldly matters to bother about art history or philosophy. Velasquez was known to be strongly influenced by an obscure cynic Menippus, known as “the classical forerunner of Cervantes,” had satirized systematic philosophers and had expressed utter contempt for such conventional social values as beauty, social status, lofty notions of propriety, and wealth, especially if it was spent on art such as sculpture at that time and for this time we enjoy spending enormous money watching "moving scultures on the ramp" called fashion shows with the desire of heaping upon us vainglorious adornments instead of setting aside some money on food for the poor.

Back to Velazquez:"the most noble, virtuous life was living according to nature, the necessary and sufficient way to find happiness." To Atlee, the other was the writer of Aesop fables who had influence on Medieval Spanish literature and on that of Cervantes. He was another Greek non- systematic philosopher whose homely fables brought philosophy back to earth, to everyday living, that taught our children lessons that speak of wisdom based on hidden esoteric ideas such as theology and metaphysics by "grounding" them. For those of us who are “ugly” and “deformed” he demanded that we be given the humane respect denied us. It is important to mention here so goes Atlee, that both Menippus and Aesop were former slaves for one of Velasquez’ most unforgettable portraits is that of Juan de Pareja, his mulatto slave whom he had taught to paint. He endowed Juan with a princely presence in his painting, by adorning him
with a fancy lace collar, a luxury item of adornment forbidden by the laws of the time, especially to someone of his social category.

In his art, Velasquez, following Cervantes’ before him, very discreetly turned his back on this social value system, painting on his democratic view one after another, until the rising tide of his fervent humanism is reached in “Las Meninas” in which he included himself just like Cervantes did in DON QUIXOTE. Here, Michael Atlee's arrow points us from Velasquez to Cervantes whose great work is the first modern novel which has been called the “Bible of Humanity.” In it, he goes: Cervantes speaks loud and clear for the humble and the oppressed, the peasants and the servant class, especially the peasant women. He gave Don Quixote‘s lowly squire the name Sancho which means “holy” as derived from the Latin “Sanctus,” The man from la Mancha then endowed the high sounding name “Dulcinea” on the humble peasant girl Aldonza. The Spanish people so loved Cervantes' story of Don Quixote's romanticsm that's treated in a humorous and witty manner that they built in their town plaza a monument in his honor. Dulcinea is a name derived from a literary expression of Aristotle’s notion of God, the Unmoved Mover. Both Cervantes and Velasquez, continues, our art historian, abhorred the notion found in classical mythology and Christianity of intermingling the human with the divine. If the point is to be considered at all, says Atlee -– and I agree, for it resonates well with the New Humanity emerging after 2012 and beyond -- it advocates that the human IS divine. And it Is the I Am, as God is within man, not someone outside of him, for does it not say in the holy bible --that the Kingdom of God is within you? Not far away in the sky. In his paintings “The Adoration of the Magi” and – The Coronation of the Virgin” all of his “divine” figures appear to have stepped out of taverns, depicting them with great “human” qualities especially that of Christ.

INSIDE A HUGE WASHING MACHINE

WE ARE INSIDE A HUGE WASHING MACHINE

While in an animated conversation with two bright-minded kindred souls over cups of hot tea, at Conti’s, Greenbelt 2, I learned from one of them that right now we are being washed clean of our imperfect energies called by our fundamentalist religion as “sins” inside a Huge Washing Machine. That being so, because we are now inside the Photon Belt of Light! How apt! My two lovely friends here are exceedingly well-travelled, having Spanish, German, Irish, and Italian blood in their veins. I love to travel in Europe too, and visit the great Roman Forum ruins, besides the medieval Notre Dame churches in France, dark inside with lustrous light shining through stained glass rose windows as in Chartres, and get a glimpse of a little angel inside St. Peter’s Basilica in the Vatican, (see picture above), thanks to computer graphics. I share with my friends some caucasian blood in my veins to make me feel comfortable when in Rome with a fat cat under our table outside the hotel, as I am sipping wine with Romy. They love to dine alfresco there as I do, amidst a blooming garden under the bower of climbing vines, and have heard two Italian men exchange news out loud on top of houses. Italians, like some unrestrained Filipinos can be intensely amorous at the same time traditional catholic religious but in this day and age of flashing sports cars and drones the papacy has a problem with its essential character.

I have seen how the ruins of the Colosseum as the symbol of the Roman Empire has also become the symbol of the modern times --– that Mother Light does not maintain dead structures. The Roman power on Earth could kill in order to entertain the mob, making me shudder (4th Tribal cycle developing consciousness of similarities and differences covering 2 million years of the Mayan Calendar which follows in a later section below to show you the universal plan of human evolution) yet you see that the contracting force of the mother gives all situations a time and after that has ran out, only the ruins are left to remind us of our mistakes in the ancient past. It was emperor Honorius who finally prohibited all Gladiatorial combats in 405, which begun in AD 80.

The unity of the Roman empire after the end of persecution of christianity (313 AD) favored the spread of Christianity and the development of a Christian art creating a number of churches of truly exceptional beauty. Humanism, which rediscovered Greek and Roman classicism seen through Christian eyes, put man back again at the center of the universe, and made him the measure of all things, creating the most inspired and important period of art that the world has ever seen (the Renaissance). The medieval mystical artists in extolling man's Spirit, and glorifying Earth as Matter-Light transcended their concerns with earthly materiality. Streams of light would flow through the great architecture of the time under the 5th cycle of Culture (see 'Mayan Calendar' as given in a later section below)in the form of stained glass windows of exquisite beauty used in darkened shrines honoring the Divine Mother.

Today, in the 8th cycle of Ethics overriding Power (Mayan Calendar) which is also called the Galactic cycle, the planet Earth itself (Matter-Light) becomes the huge machinery churning us up through pain, suffering, caused by a world-wide economic downturn by symbolic heavy detergent soap suds – wringing us clean of too much attachment to materialism. This manifests in the form of unprecedented catastrophic icy storms, thundering mudslides, rampaging floods, as reported by CNN, raging California forest fires, massive earthquakes annihilating populations, and on the inner unseen levels mental torments due to bizarre, multiple- relationships resulting in diseases such as AIDS, cancer, and politically, unstoppable wars of revenge. Sorry to remind you again, but that’s the work of the huge Washing Machine where we are into now being laundered so we can be awakened to the on-going shift to a higher realm of purity consciousness.

But to clear us of outstanding Karma before meriting an entry into the Golden Age, we have to confront our hatred of the Mother energies -- unwillingness to face changing conditions on Earth. In a dictation by an Ascended Master through Helen, Feb. 13, 2010, given at the site of the emperor Nero’s house, the Domus Aurea with a view of the Colosseum, she speaks to us: Beloved Hearts, I, Portia, come to discourse with you about judgment and balance in relation to hatred of the mother.

Here, in the center of ancient Rome where you have seen such an outplaying of the hatred of the Mother energies in the form of the most horrible games --- gladiator games, where after the games, some lifestreams have been wiped away from the arena of life. Here you see outpictured the hatred of the mother energy almost on the largest scale that it has ever been outpictured, after the Middle East, in parts of Asia, where female babies were rejected and cast away in the forest. As Mother Mary has told you (in a previous conference) behind the hatred of the Mother consciousness is the will to control God -- It is caused by the fallen consciousness and its unwillingness to surrender to the Flow of Life, the unwillingness to face the changing conditions of the Living God, the unwillingness to forgive the past, and to transcend.

POWER TO CONTROL LIFE
The hatred of the mother energy hates matter. It hates the conditions that it has to confront in matter. Therefore it tries to force onto the matter plane a structure which in the fallen consciousness creates the illusion that matter is somewhat under control, or can be controlled by humans to a certain extent. So that in ancient times of the Roman Empire, emperor Vespasian had to build this enormous ampitheatre in Rome, where he and his successors could demonstrate that they were in control of all life. Is it not an enormous illusion for an emperor that if he can order prisoners to fight in the arena he can finally decide who will die or survive –then he is in control of all life? He is a God? And then if the mob was entertained, then he could feel this temporary sense that the mob is also under his control. But this again was an illusion for after a while the mob would become restless and will need more and more blood to be entertained.

For the Romans, the gladiator games were the perfect excuse to outplay their hatred towards nations who did not submit to their will. As a result of conquering other nations, they had enough prisoners from foreign countries to entertain the mob. To illustrate the hatred of the mother Emperor Nero had to kill his own mother because it seemed she was getting to be a nuisance, always interfering in his free-will choices, as most kind-hearted, enlightened, right-brained women would admonish their wild, power- driven left-brained sons who have gone to the horrible extreme of mandating death to helpless people. We have some horrifying examples of this in this day and age, right in our God-fearing country, mostly politically motivated. But I’m also wishing Filipinos would rather go for geniuses thirsting for freedom of the spirit, men like Brunellechi, Michelangelo, and Raphael of 16th century Florence, or a great German composer like Mozart, or Wagner, or a Chopin from Poland, a Russian novelist of big stature like Fyodor Dostoevsky instead of a globally celebrated boxing champ with a secretly battered head, again a distant carry-over of the ancient gladiators in Rome.

Acknowledge this consciousness, my beloved (so goes our Ascended Master) -- the need to judge other people and to recognize its hidden forms in yourself and transcend it! The old Roman story is symbol for the human consciousness. The Roman emperor is the symbol of a person who comes into embodiment at this time thinking he can make his own free-will choices and create his own self-defined empire on planet Earth. But then the Matter-Light or the mother representing Mother Earth seems to object by putting on hindrances or limitations. Thus the self-styled local emperors manipulate propaganda through a pliant media that is quite vulnerable to offers of purses of pieces of silver to do their bidding, spreading untruths about their enemies or making saints out of themselves or certain socially-contrived icons or whistleblowers guarded by some politically- radicalized religious to suit their ends, or making surveys that are mind-conditioning. Fortunately Filipinos, especially the younger generations are showing more wisdom and ability to discern the fake from the real.

Saint Germaine has talked about the hidden package that human psychology tends to hide in the forest (the subconscious mind), leaving it behind and pretending that this issue never existed. Then you see the Omega aspect of this situation – that you cannot ever escape or run away from anything. Karma. Because there is the emperor’s mother (Matter-Light) that reflects back to you those situations – making you encounter precisely what you think you left behind in the forest. Hindi bale, kung Forest of Stars :)) There you would encounter more, much more Matter-Light that you are running away from.
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Still, you see how matter itself helps you to grow, continues our cosmic avatar. As much as you can make the decision to deal with unpleasant situations in life (matter), you can also make the decision to transcend this situation. Once you have dealt with certain inconvenient situations, you probably notice that the Shift of the ages has occurred in your psychology. You have resisted the fear and the resistance with limiting and unpleasant conditions in the matter realm that had its deathly flowering in the massive arena of the Roman Colosseum in ruins with its loose stones well numbered by the Italian government (I know, I have been there, you can’t pick a tiny pebble to take as souvenir from the Roman Forum, I didn’t go near the Colosseum, I can’t stand the sight of blood even in a bad dream) now enjoying rich revenues from this remnant of the fallen consciousness.

JEALOUSY
Behind the judgment mindset that the fallen ones have practiced on earth for so long, is the jealousy of the fallen consciousness. In this judgmental mindset, the emperor has the sense that he can do whatever he wants on Earth, even decide if a person on the arena will die or survive. Yet, this consciousness had spread into the collective, for it was the Roman population who magnified their emperors. Going back in world history and symbolized by the steps of the pyramidal evolution of humankind in the Mayan Calendar, you see that the hatred of the mother energy did not start in Rome. It started from the fallen angels who were jealous of any lifestreams that had spiritual light. This light was the Presence of God that the fallen consciousness did not manifest and could not control in any other way than by creating structures and games on Earth, that had the purpose of taking the attention away from spirituality – so that it became the Roman standard that when in Rome, do as the Romans, that if you behave like others you are accepted in heaven.

The way to change the course of this planet is to educate humanity that the changes scheduled as per the Mayan calendar are for the uplifting of all, and it cannot be postponed. Here, we will reiterate the schedule of Creation to renew itself as per the Mayan Calendar. In the Columbia Conference of 14, 20, 24, 25 December, 2007, St Germaine gave six teachings channeled through Kim Michaels wherein he challenges those of us who are doing healing service to go beyond healing, to give More to service by uplifting people’s consciousness and not to leave them at the same level of consciousness where we, the healers, found them. He goes: You have to take them out of that level where you found them, to step up, to raise them to a higher level of awareness, to shake them out of the mechanization of consciousness by which healing services can be bought with enormous money as we normally see in hospitals, wellness clinics, body fitness programs, or spas.

Healing service is not enough; we have to do More to know exactly where we are in the repeating pattern of consciousness of Creation described by the Mayan calendar that looks like a pyramid which consists of nine (9) levels or time cycles. Here is a quick run through of the previous time cycles and the Consciousness that each level produced.

1. Cellular cycle -- beginning 16.4 billion years ago, developed a consciousness of Action/Reaction. During the First cycle, all of the physical laws, Chemical compounds, Star fields, then solar systems and planets were developed.

2. Mammalian cycle – beginning 830 million years ago, developed the consciousness of Stimulus/Response. In the Second cycle, individual cells which were the product of the Cellular cycle started developing stimulus/response and the survival mechanism. Stimulus/response differs from action/reaction in the amount of consciousness present.

3. Familial cycle – beginning 41 million years ago, developed the consciousness of Stimulus/Individual Response. The Third cycle was the recognition of individual consciousness and the establishment of family relationship (recognition of individuals) rather than a herd, school or flock mentality. Our abilities to interact with the universe.

4. Tribal cycle – beginning 2 million years ago, developed the consciousness of Similarities/Differences. The Fourth consciousness cycle developed the tool, which we call “the Mind” to detect similarities and differences in our experience.

5. Cultural cycle—beginning 102,000 years ago, developed the consciousness of Reasons. During the Fifth cycle, the leading edge of consciousness was developing reasons for any and every thing. These “Shared Reasons,” are the basis of all cultures.

6. National cycle -- Planetary cycle – beginning in the year 3112 B.C. developed the consciousness of Law. In the Sixth cycle, the concept of law or right or wrong developed.

7. Planetary cycle – beginning in the year 1755 A.D., developed the consciousness of Power. In the Seventh cycle, which is from 1755 A.D. to present, we have been given power by the Creator derived from natural laws.

8. Galactic cycle – beginning January 5, 1999, developing the consciousness of Ethics. During this time, and those of us who are already in embodiment are conscious of further organizing powers that now exist to ensure the continued survival and evolution of the human race and our playground Mother Earth. So here we are with Ethics overriding Power in the 8th Galactic consciousness cycle.

9. Universal cycle – beginning Feb 10, 2011, we will be developing the unlimited ability of Conscious Co-Creation with the Creator.

Each time that this pattern has repeated it has done so 20 times faster than previous cycle. According to Dr. Carl Calleman this quite handily explains why time seems to be speeding up. Time is not speeding up. It is creation itself that is speeding up with more and more happening in less and less time. Miracles are starting to happen now to give us an idea of what it means to enter into a Golden Age of universal
Peace and Freedom from human limitations, once we have shifted from the low consciousness of anger, hate, pain, unforgiveness, and death -- into a Higher Consciousness of love, compassion, trust, optimism, forgiveness and divinity.
We know exactly where we are in this repeating pattern as described above. This information makes it possible for us to put forth educated guesses as to the content of our future.

Thus we who are already in embodiment in the Galactic cycle that began on Jan 5, 1999, have developed the organizing powers to ensure the continued survival and evolution of the human race and our playground Mother Earth. So here we are with Ethics overriding Power in the 10th Galactic cycle consciousness cycle., in 2010. Beginning Feb/ 10, 2011, we will be developing the universal ability of Conscious Co-Creation with the Creator. We are here to establish the vertical oneness of each person with his or her Higher Being. Thus I start with myself, connecting my lower self with my Higher Self. How?

And then all together now, we establish the horizontal oneness of the spiritual people achieving oneness with each other beyond all earthly differences. The earthly differences of gender, race, creed, and nationality. Out of the oneness is born the Christ who carries the Cross with the vertical bar of oneness and the horizontal bar of the same, which will judge those who are not willing to leave the death consciousness behind mentioned above, and by evolutionary law, they will no more be allowed to embody on Earth planet. And as the earth is made lighter, vibrationally, as there is nothing here but vibrations, the Divine Mother Will manifest the Golden Age in the Middle East (as dark energies recede) and on Earth (as the fullness of the Earth is made of the Light and Love of the Divine Mother so let's keep sounding off these affirmations 4 times a day "Let Light and Love fill the Earth, and penetrate, saturate mindsets, and hardened hearts" when praying with rosary beads and in stillness --meditation), thus, lifting the frequencies far and wide to affect lower vibrational entities.

St Germaine, sponsor of the golden age of Aquarius, asks us to go into remembering that We are the ones, we have been waiting for. We are the students of the Ascended Masters before we descended into this earthly incarnation at this cosmic time with the avowed purpose to help in the collective human endeavor to co-create with the Divine to Lift the consciousness of all people and Light up Planet Earth to become a radiant sun, shining through the cosmos. Once, this Great Miracle happens people on earth will no longer experience pain, illnesses, and death. Imagine, no more illness, no more death !! We will remain forever young, as we will all ascend.